Formula 1 Mobility: Graphene Enables World’s Lightest Wheelchair Design

[ By WebUrbanist in Technology & Vehicles & Mods. ]

Working with Formula 1 race car manufacturers and employing aerospace materials, a Swiss firm has developed what they claim is the world’s lightest wheelchair, with a frame weighing in at just 3.3 pounds.

Significantly lighter and stronger than typical high-performance carbon variants, Kueschall employed graphene (which can be hundreds of times stronger than steel and significantly tougher than diamond) to lighten the load while making the machine more durable.

“A single layer of carbon atoms, tightly bound in a hexagonal lattice” was at the heart of the engineering strategy. Why bother to make even lighter models? The firm points out that over half of wheelchair users end up with upper body damage over the years. Aside from the materials, “in order to ease these chances the wheels have been positioned in closer proximity to the user which helps to increase propelling efficiency.”

Industrial designer and project leader for the company, Andre Fangueiro, worked “to perfect the driving performance of the Superstar. The wheelchair features an X-shape geometry with road dampening properties that provides an increase in performance and agility by responding rapidly to every movement. It also features a bespoke backrest with the possibility for a tool less adjustment, and a tailor made seat with an integrated seat cushion to also help optimize propelling performance.”

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Cartoon Cafe: 2D Illusion in Korea Makes You Feel Like You’ve Entered a Sketch

[ By SA Rogers in Design & Fixtures & Interiors. ]

At a glance, photos of Cafe Yeonnam-dong in South Korea appear to show a flat two-dimensional drawing of a dining space, but these objects are far more 3D than they appear. From the floorboards to the plants to the door handles, every detail of the cafe has been sketched in black on white and brightly lit to show as little dimension as possible. As you might imagine, it’s all highly Instagrammable, making it so popular with locals and tourists that the cafe often has to shut down early because they’ve sold out of food.

The cafe, which opened in July 2017, takes inspiration from a hit Korean television show called W – Two Worlds, in which the protagonist enters a cartoon created by her father. The owners realized they could recreate that feeling in a highly unusual cafe, noting that there’s probably nothing quite like it in the world. The only things that break the illusion are the lamps and the food itself, which stands out in bright contrast, making it look even more appetizing than usual.

All the more reason to wear a vivid ensemble if you can make it to the Yeonman-dong district yourself (or blend in, as some people have chosen to do). If you can’t, Instagram has plenty of opportunities to experience the cafe from afar.

Images via the cafe’s Facebook + Instagram

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Dune Art Museum: Maze of Galleries Buried Under Beach Dunes Near Beijing

[ By WebUrbanist in Architecture & Public & Institutional. ]

Designed by OPEN Architecture and sited along the Chinese coast near Beijing, this building complex is a mysterious maze of fluid concrete shells, all of which will be reburied under sand when construction is complete, restoring the appearance of the beach.

The monumental and cavernous Dune Art Museum is meant to evoke primal imagery, tying modern experiences back to ancient human cave-dwelling (and cave-drawing) ancestors.

Below ground, the spaces are designed to fit different programs, including gallery, studio, cafe and bookstore areas. The entry is a long, dark tunnel, further heightening the sense of removal from the surface (punctuated by light from skylights above).

Museums naturally need a lot of protection from natural light to control aging, making an underground one an obvious choice in a lot of ways. Some spaces not requiring this isolation, however, will have views out to the sky and Bohai Bay beyond where they can watch the tides roll in.

has released the latest construction photos of the Dune Art Museum topping out in a Chinese coastal city near Beijing. The art museum manifests itself as a complex of interconnected concrete shells, which in the next and final stage of construction, are to be buried in sand and shrubs to restore the natural silhouette of the dunes on the beach.

 

“The Dune Art Museum is the first installment of the project, Dialogue by the Sea. The second installment will feature the Sea Art Museum, a dock-like structure to be constructed offshore. The two museums will be connected by a narrow stone passage, accessible only at low tide.

“While construction has not yet begun for the second installment of the project, the Dune Art Museum is expected to be completed this year.”

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Unstable Housing: Balancing ReActor Building Tilts as its Occupants Move

[ By SA Rogers in Art & Sculpture & Craft. ]

Off-kilter balancing buildings that seem to defy gravity are more common than you might think, but most of them don’t tilt like a see-saw when their occupants walk from one side of the house to the other. The ReActor is definitely one-of-a-kind, and not just because it stands on a single concrete pillar that seems far too skinny to actually support the weight of the structure. With almost all of its walls made of glass, this tilting house put its creators’ lives on display as they carried out an experimental performance on the grounds of an art gallery in upstate New York.

Alex Schweder and Ward Shelley, who have been creating art together since 2007, had to negotiate with each other for virtually very task they completed in the house throughout their stay. If one of them needed to cook, the other better not wander over to one side of the home, or the entire building would swing toward the ground, throwing everything off-balance. But not every movement that affects the ReActor House can be predicted. It sways in the wind, too, rotating to change the view whether the duo likes it or not.

“We almost never stop drifting in circles,” Shelley wrote in a journal he kept for the project. “It takes only the slightest breeze to set us in motion. It feels grand and processional. Always something to look at, always a new adjustment needed to stay in the shade. The rocking motion, on the other hand, is mostly caused by us moving around inside. The motions are graceful and oceanic.”

Guess neither one of these artists gets seasick. Living in an enormous weather vane modeled after midcentury architectural wonders like Philip Johnson’s Glass House may not be for everyone, but Schweder + Shelley are clearly up to the task, considering their past projects together have included living on a human-sized rotating hamster wheel for ten days.

The ReActor House was installed in 2016 and remained on the grounds of the Art Omi sculpture park in Ghent, New York for a full two years. The 420-foot-long, 8-food wide elevated house was just now taken down in summer 2018.

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Abstract Geography: Huge Historical Map Spans Dutch Train Station Ceiling

[ By WebUrbanist in Design & Graphics & Branding. ]

Amidst the modern architecture and undulating spaces of this station in Delft, one design detail stands out above the rest: a huge abstracted version of a map from the late 1800s that connects across a series of aluminum ceiling fins.

As travelers move through the space, their perspective shifts — overlaid on vertical slats, the map becomes abstract or concrete depending on the viewing angle, and periodically reveals details (like the name of the city) to new arrivals.

Developed by Macanoo over the last decade, this hub is more than just a station, containing a new city hall and municipal offices as well, but sited above the main transit tunnel is the grand open space connecting it all — an apt place for a massive map.

Within the station hall walls and columns are adorned with a contemporary reinterpretation of delft’s famed blue tiles. References to the region can be found in the facade and window designs, too.

The halls are separated with a glass wall and two further volumes that house the public counters, consultation rooms and technical services of the municipal offices, and the commercial functions of the station hall.

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Don’t Wreck the Ruins: Aging Structures Adapted with Style and Sensitivity

[ By SA Rogers in Architecture & Houses & Residential. ]

When historic structures have fallen into ruin, should architects restore them to their original glory or acknowledge the passage of time? The answer to that question might depend on the significance of the building (and whether or not it’s legally protected), its condition and the client’s vision for its new purpose, but projects that take on this task run the gamut from painstakingly minimalist interventions to dazzling contrasts of old and new. A variety of approaches give new hope to buildings that seem beyond repair, even when all that’s left is a pile of rubble.

Minimal Interventions

Sometimes, the best solution is to allow the ruins to be what they are while adding some functionality back to the structure. These new additions might only include elements that make the building safer and more usable, or they might exert some architectural style of their own, standing out as contemporary against the aged stone.

In the case of Pi des Catalá Tower, a protected landmark on the smallest of Spain’s Balearic Islands, architect Maria Castelló Martínez made interventions “involving only the parts that jeopardized the life of the building most of all.” Local sandstone almost identical to the original materials fills in some damaged areas without hiding the chronological differences between the original substrate and the intervention process. Corten steel contrasts yet complements, reinforcing the doorways and windows, weathering along with the rest of the structure.

From afar, you might not even notice that anything has been added to these 700-year-old medieval ruins in Eastern Jutland, Denmark. Only from certain angles do the new observational staircase elements by MAP Architects become apparent, poking out of the crumbling brick. Visitors can take in the way time has altered the original structure of Kalø Castle from the zig-zagging staircase and use their imaginations to fill in the blanks. To make sure the ruins were up to the task of supporting the new staircase, the architects digitally scanned every individual brick with a portable 3D scanner, and only attached it to the ruins at four integral points.

The 16th century Blencowe Hall in England was added to the national ‘Buildings at Risk’ register after the roofs collapsed in the towers flanking either end, producing a large gash in the facade. Working with the owners and a local architect, Donald Insall Associates re-roofed the building, stabilized threatened areas and inserted a new facade behind the gash without attempting to close it up or hide it. The result is striking, especially at night.

Preserving Ruins As They Are

A 300-year-old cottage has been saved from falling into total ruin by a highly unconventional renovation you’d expect to see in a museum rather than a functional home. David Connor Design and Kate Darby Architects left almost everything intact, enveloping it all within a protective new shell.

“The strategy was not to renovate or repair the 300-year-old listed building, but to preserve it perfectly,” they say. “This would include the rotten timbers, the dead ivy, the old birds nests, the cobwebs and the existing dust. The ruins would be protected from the elements within a new high performance outer envelope. This means that in most places there would be two walls, two windows and two roofs, old and new.”

Ferran Vizoso Architecture took a similar approach with a church in Corbrera d’ebro, Spain. A new, lightweight contemporary membrane made of ETFE panels covers the vulnerable open roof to keep the building from deteriorating further, but in this case, the protective element is barely visible from outside. The windows have been enclosed, as well, creating a newly re-inhabitable space. Other reinforcements, like metal supports under fragile archways, are subtle enough to escape notice.

Ruins as Facades for New Houses

Whereas that English cottage preservation was virtually turned inside-out, with new construction on the outside, a more popular technique for restoring ruins keeps the outer appearance of the original structures intact while placing all interventions inside. If the dilapidated building is fairly intact, you might barely be able to tell anything has changed at all, as is the case with La Ruina Habitada by Estudio Jesus Castillo Oli. The architects wanted to it to be an “inhabitable ruin,” giving the long-abandoned structure new life but keeping all the markers of its age.

In Dumfries, Scotland, the ruins of a 17th-century stone farmhouse remain exactly as they were when the clients purchased the property despite the fact that a new house has gone up within the original footprint. Lily Jencks Studio and Nathanael Dorent Architecture took great pains to barely touch a single stone on the farmhouse, building the new modern residence inside and around its walls.

The Dovecote Studio by Haworth Tompkins takes a similar course with a dilapidated brick building on a music campus in Suffolk, matching its hue with Corten steel.

Blending Architectural Styles with Sensitivity

When modern and historic architecture meet, the results can be controversial, but whether or not they’re successful might be subjective anyway. Purists bemoan any alternation whatsoever to a historic structure, hoping ruins can be restored as faithfully as possible, but that approach might not be appropriate for the given project, especially when it’s difficult or downright impossible to perfectly match the original materials. That was the idea behind one of the most divisive restoration projects in modern memory: the Vilhariques Tower and Matrera Castle in Spain.

Before architect Carlos Quevedo began, both structures were little more than a couple crumbled walls at risk of collapse. The Spanish government wanted the ruins to become educational facilities, but we don’t know exactly what these buildings used to look like, so Quevedo simply built new structures into what’s left of the originals, matching their approximate dimensions. Many locals were outraged, comparing the results to the infamously botched restoration of Elias Garcia Martinez’s fresco of Christ known as Ecce Homo.

But what about ruins located in more urban areas, or those that are still actively in use, but in dangerously poor condition? When they’re legally allowed to just demolish the ruins and start over, developers often choose to do just that. It’s a lot cheaper and easier. So it’s nice to see projects like the Kew House by Piercy & Company in London, which preserves an old stone wall to keep a modern home in character with the rest of the historic block.

The church of the Convent de Sant Francesc Santpedor in Spain had plenty of life left in it before architect David Closes was commissioned to convert it into a cultural facility, but it was in a rough state. The adjacent convent had already been demolished in the year 2000. The church wasn’t particularly well built in the first place, so Closes had his work cut out for him making it functional again. He identified its most striking characteristics, like the potential for natural light within its collapsed naves, and used new materials and modern finishes to highlight them. The damage to the church, all of its wounds and scars from over the years, is still visible, and the architect makes no attempt to pretend an intervention hasn’t taken place.

A similar story unfolds at the Vilanova de la Barca Church, which suffered bombings during the Spanish Civil War. Barcelona-based studio AleaOlea tells the story of what happened to the church with contrasting modern elements. The interruption and destruction of the historic building is starkly visible, but the new construction achieves an easy harmony with its monochromatic consistency.

Salvaging & Repurposing Fallen Components

Even when ruins seem too far gone to be preserved, they can remain a part of the landscape, infusing new construction with history and character. Bergmeister Wolf rebuilt a fallen wall and integrated it into a new, modern home that follows the same lines and contours as the original building.

For the magnificent ‘Aloni’ home on the Greek island of Antiparos, a residence straddling a valley, DecaArchitecture disassembled ruinous stone retaining walls on the property and incorporated them into the facade. Built into the hillside, the camouflaged holiday home maintains the look and feel of the land before it was changed and adapted for contemporary usage.

A site of national historical importance in rural China was in danger of disappearing before the studio 3andwich was tasked with transforming it into a tourist destination. The architects turned a collection of small deserted agricultural outbuildings and rubble from a fallen barn into a recreation of Yang’s School, which now serves as a bookstore and museum. This stone rubble forms the first floor of the main building of the new facility, with fresh wooden construction enclosing the second floor and roof.

Whichever road an architect may choose to take, it’s nice to see some elements of history preserved and maintained, creating less waste while establishing a tangible connection between past and present.

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Fairly Sore: The World’s 10 Most Dangerous Festivals

[ By Steve in Culture & History & Travel. ]

Festivals rank high among humankind’s most cherished traditions but if you think these annual gatherings are all fun and games, you’d be VERY wrong.

The poster child for “dangerous festivals” has to be the legendary Festival of San Fermin in Pamplona, Spain. The annual nine-day-long celebration originated centuries ago and encompasses a wide variety of events, the most (in)famous of which being the Running of the Bulls – an exceptionally dangerous free-for-all that dates back to the 14th century.

Flickr members VaqueroFrancis and Nicholas Cole (ncole458) captured both the excitement and the danger of the San Fermin festival first-hand in July of 2017 and July of 2009, respectively. And that’s no bull.

Onbashira Festival, Japan

The Onbashira (“Honored Pillars”) Festival is held every 7 years in Japan’s Nagano Prefecture. The festival’s highlight features the felling of sixteen specially selected fir trees that are then hauled down a steep mountain slope.

The trimmed posts are then erected at the corners of four local shrines being renovated for the occasion but that’s not the dangerous part… participants “ride” the logs as they’re being transported down the mountainside and some (participants, not logs) don’t arrive in one piece. Flickr member Shibainu captured the goings-on at the previous festival in April of 2010.

Cooper’s Hill Cheese-Rolling and Wake, UK

Follow that cheese wheel! The Cooper’s Hill Cheese-Rolling and Wake has been held annually over the past 200 years in Brockworth, Gloucestershire, UK. The fact they included “Wake” in the title should give you a clue right off the bat that this is no ordinary festive occasion.

One former participant described the main event as “20 young men chasing a cheese off a cliff and tumbling 200 yards to the bottom, where they are scraped up by paramedics and packed off to hospital,” and he wasn’t exaggerating: in 1997, for example, 33 injuries were reported. Flickr member Will de Freistas (ninjawil) snapped some of the limb-snapping festivities in May of 2009.

Taiwan Lantern Festival

The culmination of the annual Taiwan Lantern Festival is the Tainan Yanshui Fireworks Display, also known as the “Beehive of Rockets”. Approximately 3 million bottle rockets are fired into crowds of revelers… what could possibly go wrong?

“Only the brave dare move so close to the rack of tens of thousands of bottle rockets at Yanshui Beehive Rockets Festival in Taiwan,” according to Flickr member Michael Dwyer. Hey, let’s not count out the drunk and the stupid!

Takanakuy, Peru

A Peruvian Fighting Festival, you say? Shut up and take our money! The festival of Tananakuy is held every Christmas Day in a number of villages and towns in southern Peru’s Chumbivilcas province. The word “tananakuy” means “to hit each other” in the local Quechua language, and that pretty much sums up the essence of this particular festival.

And the hits just keep on coming: men, woman and children are all eligible to put up their dukes, often while wearing colorful and elaborate costumes expressing themes of traditional local culture.

Other places may tout peace on Earth and goodwill towards men on December 25th; in the Andean highlands they prefer fighting as a way to show off one’s manhood (or womanhood, or… childhood?) and/or to settle old scores and grievances. Kinda like Festivus but without the metal pole or a screaming Frank Costanza. Flickr member Tang Tran Minh Thành took some in-your-face shots in January of 2014… that’s gotta hurt.

Kadri Kambala, India

Imagine if you will, a race between two pair of water buffaloes driven by whip-wielding, half-naked farmers through a muddy rice paddy. It may sound like the Twilight Zone (or, say, the chariot race scene from Ben Hur, sans the chariots) but it’s actually Kadri Kambala in Karnataka province, southwestern India.

The pairs of buffaloes are yoked together rather loosely and the farmers wear little in the way of protection – them beasts have got wicked horns! The race courses offer hazards of their own, including wandering spectators who should know not to get in the way of charging water buffaloes. Flickr member Karunakar Rayker (wildxplorer) captured the excitement of a full-blown Kadri Kambala festival in January of 2008.

National Pyrotechnic Festival, Mexico

Ain’t no fireworks festival like a Mexican fireworks festival, amiright? The annual National Pyrotechnic Festival (“Feria Nacional de la Pirotecnia”) was formally established in 1989 but traces its history back to celebrations in honor of John of God, the patron saint of fireworks makers. In related news, Mexican fireworks makers have their own patron saint.

The festival’s highlight is the “parade of toritos”, in which roughly 250 bull-shaped frameworks festooned with lit fireworks are marched down the main street of Tultepec, center of Mexico’s fireworks-manufacturing region. Think of the Running of the Bulls, but with flaming bulls… even Hemingway would cringe. Flickr member Tan Ya (arreguin.tania) snapped the shots above in March of 2014.

Kirkpinar, Turkey

You might not have heard of Kirkpinar but this annual oil-wrestling tournament and festival has been held near Edirne, Turkey, since 1346. Guinness World Records has officially recognized Kirkpinar as being the world’s longest-running sports tournament.

In Kirkpinar, wrestlers wearing only short leather pants battle one-on-one outdoors in an open field, dousing themselves with olive oil before each bout. Geez guys, get a grip… oh. Anyway, the bouts have been time-limited since 1975 – in previous years, bouts would sometimes last up to two days, running from 9am to dusk. Flickr member Charles Roffey (CharlesFred) got up close and personal with some of the oil-wrestlers during a trip to Edirne in July of 2011.

Calgary Stampede, Canada

The Calgary Stampede in Calgary, Alberta, began in 1886 as an annual agricultural. Rodeo events were added in 1912 and the first chuckwagon races were run in 1923. The format can be extremely hazardous for man and beast: five human fatalities occurred between 1948 and 1999, and 65 horses have perished between 1986 and 2015.

These fatalities plus an uncounted number of injuries have made the Calgary Stampede’s chuckwagon races the focus of controversy, though there’s no doubt the possibility of life-threatening havoc has a certain appeal to the public. Flickr member Randy Peters captured the fear, drama and excitement of a Calgary Stampede chuckwagon race in July of 2006.

Holy Week Celebrations, the Philippines

Holy Week celebrations in the Philippines are notorious for the extreme acts of devotion practiced by those seeking to emulate the suffering – even to the point of actual crucifixion – endured by Jesus Christ. Though the modern Catholic Church discourages the more exceptional examples of penance such as self-flagellation, painfully graphic Good Friday events continue to be staged for public view. Stop hammer time… NOT.

Flickr member istolethetv attended the Good Friday celebrations in Bacalor, Central Luzon, on April 21st of 2011. In the image above, Ruben “Mang Ben Kristo” Enaje is shown undergoing his 32nd crucifixion since 1985. The Filipino carpenter, sign painter, and ex-construction worker began participating in these all-too-real reenactments after unexpectedly surviving a bad fall from an unfinished building. One wonders, who does his nails?

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Fast Driver: Powerless Auto-Hammer Packs Strip of Nails for DIY Projects

[ By WebUrbanist in Design & Products & Packaging. ]

Nail guns can be handy but also bulky and awkward, not to mention: limited by the presence of batteries or electrical outlets. A new tool for the kit comes from product designer Michael David Young: the automatic nail-dispensing hammer.

Strips of nails are loaded into the device, a tap sets the nail in place and readies it to be hammered home, speeding up the process while also reducing the risk of injury.

After years of drawing and testing, explains Young, “I finally got it to work after many many prototypes, got my provisional patent and shipped it around to the big tool companies.” He says major brands have expressed interest in his creation.

Beyond this single application, Young’s process shows the potential for rapid prototyping using digital design tools and 3D printers — versions can be modeled, printed, tested, scrapped and iterated upon in succession all for little upfront cost.

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Graffiti Glam: Surreal Scenes Transform a Baroque Dutch Building

[ By SA Rogers in Art & Drawing & Digital. ]

Classical meets modern in a surreal mashup splashed all over the walls of the Thomas cafe in the Netherlands, the work of a duo of artists known as Studio Giftig. Highly in demand for their colorful, oversized works of art, Niels van Swaemen and Káspar van Leek were invited to transform the kind of space most muralists only dream of working in, wrapping their imagery around baroque molding and up onto the ceiling.

A SURREAL PERCEPTION

We’re excited to share this with you! A few posts ago we teased it a little bit, but here is the amazing aftermovie of restaurant/bar Thomas in Eindhoven. A monumental building we turned in “A SURREAL PERCEPTION”.

Posted by Studio Giftig on Monday, September 3, 2018

Entitled “A Surreal Perception,” the monumental piece pairs black and white portraits of stone statues with floating whales, neon sunglasses, crowned monkeys riding cranes and more, all set on a pale pink backdrop. Much of the work was completed using spray cans, which helped them get into the nooks and crannies of the molding.

The result is a bar, restaurant and event space that’s truly unforgettable. You can check out more images of these vivid interiors at the Thomas’ Facebook page, and follow Studio Giftig’s latest works on Instagram.

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Thin Facade: Old Small Town Storefront Folds Down into 100-Seat Theater

[ By WebUrbanist in Architecture & Public & Institutional. ]

Walking down the vintage commercial strip of Lyons, Nebraska, it looks like any other building with shop windows and a front door, sharing walls with neighboring structures, but that’s all a disguise.

In fact, the disguise predates this creative conversion — when artist Matthew Mazzotta came to town, the lot behind the front wall was empty, making it a perfect place to create something new. Now, however, hydraulic cylinders on either side lower a series of platforms with bench seating over the sidewalk and facing into the low-traffic street, turning the town core into a public venue space.

Screens can be rolled in and performances accommodated on demand. “Both the seats and the screen retract and disappear when not in use, giving the impression that there is nothing unusual in this town, leaving only word-of-mouth accounts for inquiring visitors” explains the designer. The goal is to inject some life into a small town of just under 1,000 people, creating reasons for locals to gather and others to visit.

Residents donated time and money to create the project, and sponsored an area filmmaker to document the process. The Storefront Theater now hosts video game nights, movie screenings and musical guests.  “The new energy that the venue has brought to Main Street has also inspired another Lyons native to purchase the empty building right next to the theatre, and turn into an art gallery that had its first show in December and is booked with a different show for the next six months.”

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